In Coralie Fargeat's new feminist terror motion picture The Substance, dangerous social charm requirements are actually the real beasts. They (women objectification, the fingertip of "the outdated," the proliferation of a sector improved body adjustment) feed a monster of a pattern that leads Demi Moore's fading TV individuality character Elisa

As the 1986 film was so successful, plus the original had multiple sequels anyway, it shouldn't surprise anyone that a sequel was thrown together for the new imagining. However, "thrown together" may be (blog post) a little more apt than one action movies would like, considering how up in the air so much of the story was during pre production and

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